I don't mean to be crude, but. . . .


If it doesn't fit anywhere else, it belongs here. Also, come here if you just need to get hammered.

Ziggurat Zagger

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Post Tuesday, 17th September 2013, 08:03

Re: I don't mean to be crude, but. . . .

Confidence Interval wrote:I wouldn't be able to tell you when continental European movie-making really recommenced post-WWII. Clearly by the 1960s there was plenty of movie-making going on in France but I don't know how long it had been going by that point.


I dropped the date from that, he wrote it in 1947, so I think it's a pretty fair bet that the industry was still in the doldrums.
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Sewers Scotsman

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Post Tuesday, 17th September 2013, 09:11

Re: I don't mean to be crude, but. . . .

Grimm wrote:I dropped the date from that, he wrote it in 1947, so I think it's a pretty fair bet that the industry was still in the doldrums.

1946 Cocteau's La Belle et la Bête
1949 Cocteau's Orpheus
- both of which I really like - plus movies by Jean-Pierre Melville, Tati, and Clouzot all released in the late 1940s. When you look there were actually some great movies being made around that time, at least in France. In Italy, Bicycle Thieves and Germany Year Zero were also released in the late '40s and both are still highly regarded. Without commenting on the industry in general I think we can safely say there were some great movies being made.

Ziggurat Zagger

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Post Tuesday, 17th September 2013, 09:24

Re: I don't mean to be crude, but. . . .

Yes but Wittgenstein wouldn't have learnt anything from them.
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Sewers Scotsman

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Post Tuesday, 17th September 2013, 09:44

Re: I don't mean to be crude, but. . . .

If only he'd been around to see Caddyshack...

Ziggurat Zagger

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Post Tuesday, 17th September 2013, 10:00

Re: I don't mean to be crude, but. . . .

I know right. He would instantly have attained prajñāpāramitā upon viewing.
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Sewers Scotsman

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Post Saturday, 21st September 2013, 13:05

Re: I don't mean to be crude, but. . . .

I'm currently reading The Wooden World: An Anatomy of the Georgian Navy by N A M Rodger. It's really remarkably good.
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